![]() ![]() – I need 12 Source 4 profiles spread around the rig Using this information, the tech team can work out the lanterns / equipment that you need.ĪVOID being ultra-specific about particular pieces of equipment, without describing what it’s for in detail. – Tight spotlight on actor’s face – he stands upstage right, just on stage of the door. – Red spotlight downstage centre (big enough for two people, head to foot) – Cold wash on the downstage right corner (around 2 metres wide & 1.5 metres deep) No need for separation between upstage / downstage. – Warm general wash (front light), splitting the stage into three areas across. – Blue backlight (to cover whole stage, used for scene changes) This is far more useful than a fully marked-up script. ![]() When you need to explain your show to a new technical team who are helping you set it up in a new space, it’s helpful for you to have prepared the following: 1) List of the lighting states you need, with a brief description There’s rarely any improvisation or modification of cues once the show is up and running. Lighting for theatrical productions or musicals tends to be in the form of cues – these are individual lighting states that are worked through in order from the start of the show to the end. ![]()
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